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Who is Glenn Dunks
Glenn Dunks is an award-winning freelance writer, critic and festival programmer, focusing on film, the arts, and travel who's riginally from Melbourne, Australia, but currently based in New York City. On this website you will find assorted links and other work of mine as well as blog posts on assorted topics. Click here for more. If you would like to contact me about anything including work commissions please contact me at
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- @ LOL. I made this same joke. It's amazing how much like Allison Williams she looks there.
- RT @: You can't spell "Mar-a-lago" without "amoral"
- What exactly has Todrick Hall done to get on so much? He offers literally nothing. Not even a so-bad-it's-good intro gag.
- Spotify went from playing "The Cure" on repeat to playing something from Joanne and it was a shock to tell you the least. Begone, Joanne!
- Marnie and Desi after GIRLS. https://t.co/Sf3xWj8Kiw
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Tag Archives: Classic Cinema
The Boys of Summer… Suddenly, Last Summer.
I wonder if it’s for the best that the trilogy of acclaimed Tennessee Williams plays of the 1950s were all directed by different people, lest their power with themes of the repressed queer, simmering madness, and familial tensions be put … Continue reading
The Camera as God in Mother Joan of the Angels
In Jerzy Kawalerowicz’s Mother Joan of the Angels, the director places his camera in the figurative and literal position of God. In this Cannes-winning title from 1961, Kawalerowicz’s stunning, evocative images made of starkly contrasted black and whites – in a nicely … Continue reading
Stylin’ Up with the 30th Anniversary of Wild Style
In the annals of cinema, Charlie Ahearn’s 1983 hip-hop docu-drama Wild Style is hardly as revered as it ought to be. It won no awards, rarely features on any lists niche or otherwise, and seemingly receives no credit for its fusion … Continue reading
Posted in Film Tagged 1980s Cinema, Classic Cinema, Music, Musicals, Re-Releases and Restorations, Reviews Leave a comment
Dwan Six Times: The Rise and Decline of a Director
I consider myself fortunate to have been able to see six films as a part of the Museum of Modern Art’s recent Allan Dwan retrospective, “Allan Dwan and the Rise and Decline of the Hollywood Studios”. Naturally, in retrospect I … Continue reading